Writing August 26, 2026

Outlining vs writing without a plan

The internet insists you're either a plotter or a pantser, as though it's a personality type you're stuck with. It's a tool choice, and you can use both in the same book.

Both camps are right about their own experience and wrong to generalise. What matters is knowing what each method buys you and what it charges.

What outlining is good at

Outlining protects the middle. Most abandoned drafts die around the 40% mark, when the opening energy is gone and the ending isn't close enough to pull. Knowing where you're going gets you across that stretch. It also makes structural problems cheap: moving a scene in an outline costs a line, and in a draft costs a week.

Its cost: some writers find that once the story is fully known, the urge to actually write it evaporates.

What improvising is good at

Writing without a plan keeps the writer curious, and curiosity shows up on the page as energy. Discoveries you make mid-scene are usually better than anything you'd have planned, because they come from characters who are already moving.

Its cost: more dead ends, and a much heavier second draft. You pay in revision what you saved in planning.

The version most working writers use

Know three things: where it starts, one big turn in the middle, and roughly how it ends. Improvise everything between them. That's enough structure to prevent the 40% collapse and enough freedom to keep discovering.

Plan the load-bearing walls. Improvise the furniture.

Outline backwards from the ending

If you know the last scene, ask what has to be true for it to hurt — then what has to happen to make that true. Working backwards produces tighter structure than working forwards, because every element is there for a reason you already know.

Serialising changes the maths

If you publish chapter by chapter, you can't restructure the past — which sounds like a constraint and is actually a discipline. It pushes you toward knowing the shape in advance, while readers' reactions tell you which threads are landing. On Arwy you publish a chapter at a time and watch where people stop, comment and come back — feedback that arrives while it can still change the book.

If the problem isn't structure but starting at all, see how to overcome writer's block.


However you plan it — write it in public, chapter by chapter. Start on Arwy.

Writing something yourself? Everything we know about publishing it — free guides, how rights work, and what you can actually earn — is collected on Arwy for writers.

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